How To Start A Magic Trick Collection: Find Gems Fast

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⚡ TL;DR: This guide explains how to start a magic trick collection like an archive—set a tight scope, verify provenance, and use systems to find undervalued props fast.

Quick Summary & Key Takeaways

  • how to start a magic trick collection gets easier when it’s treated like an archive: defined scope, provenance, condition grades, and a searchable catalog.
  • Speed comes from systems—saved searches, dealer relationships, and a “one-page buy box”—not from watching more unboxing videos.
  • Value (financial and performance) compounds when props are tied to routines, creators, and documented production runs.
  • Ethics matter: avoid knockoffs, respect creator rights, and track provenance to protect resale, insurance, and reputation.
  • Storage and documentation are the hidden edge: humidity control, acid-free materials, and standardized photo/metadata keep collections usable for decades.

A working magician can spend years asking the same question in different outfits: how to start a magic trick collection without wasting money on props that look good on a shelf but die under stage lights. The surprise is that the fastest collectors don’t buy more—they buy narrower. In practice, how to start a magic trick collection is less “shopping” and more “acquisition design,” the same discipline museums use to avoid turning storage into a junk drawer.

Ask ten performers how to start a magic trick collection and nine will point to marketplaces; the tenth will point to a notebook. The notebook wins. It defines constraints (era, creator, method family, venue type), sets a condition standard, and captures provenance on day one—so when a scarce Tenyo variant or an out-of-print illusion plan appears at 2:13 a.m., the decision is automatic, not emotional. That’s the real answer to how to start a magic trick collection: engineer the “yes” and “no” before the listing loads.

Advanced Insights & Strategy

Start with an acquisition strategy that behaves like a filter, not a wish list. The fastest collections are built on a defined scope, an evidence-based buy box, and a repeatable provenance workflow. Think in portfolios: performance pieces, historical artifacts, and high-liquidity collectibles each get different sourcing channels, condition thresholds, and documentation requirements.

The Three-Lane Portfolio: Performance, Heritage, Liquidity

Serious collections tend to stabilize into three lanes. “Performance” is gear that earns its keep: worker props, refillable gimmicks, durable decks, and routines that fit current set lists. “Heritage” is lineage: first editions, creator-signed items, discontinued apparatus, lecture notes, and items tied to pivotal creators (Vernon, Marlo, Goshman, Wonder, Jennings, Tamariz). “Liquidity” is what can be converted quickly without drama—popular, authenticated items with predictable demand, such as sealed Tenyo releases, recognized gaffed decks, or limited-run releases from reputable makers.

The lanes prevent the common failure mode: paying Heritage prices for Performance items (then being afraid to use them), or buying Liquidity items that are impossible to authenticate. A clean lane system also supports better trading. Dealers and collectors respond well to specificity: “Looking for 1990s Japanese close-up gimmicks, boxed, with inserts” is a real signal; “Any cool tricks?” is not.

The “Buy Box” Document That Stops Regret Purchases

A buy box is a one-page set of rules that defines what qualifies as an instant purchase. It includes allowable categories (coins, cards, mentalism, parlor), maximum prop footprint, reset time, angle sensitivity, and acceptable materials. It also defines price ceilings by condition grade and completeness (box/instructions/spare parts). This is where “find gems fast” becomes real: when the rules are written, the market can be scanned at speed.

Collectors who move quickly usually standardize condition language. A simple rubric works: A = new/sealed or unused with all inserts; B = light handling, complete; C = usable but with cosmetic wear or missing ephemera; D = parts-only. The buy box then assigns hard caps. A “B-complete” cap might be 0.72× the A price; a “C” cap might be 0.41×—numbers that can be refined over time with actual purchase history.

Acquisition Ops: Saved Searches, Watchlists, And Time Windows

Speed is mostly operational. Saved searches on eBay, Mercari, Yahoo! Auctions Japan (via Buyee), and specialist forums are standard—but the differentiator is time windows. Many listings with underpriced magic props disappear in the first 19–43 minutes. That pushes collectors toward push notifications, keyword variants, and a pre-approved decision flow.

Build a watchlist taxonomy: creator names, brand names, and model numbers. Tenyo alone rewards precision—“T-xxx” codes, release-year hints, and alternate English/Japanese product names. Add long-tail variations to your searches: “beginner magician prop collecting,” “building a vintage magic collection,” “collecting Tenyo magic tricks by year,” “magic prop collecting checklist,” and “where to buy rare magic tricks.” Those phrases capture listings written by non-magicians—estate sellers, thrift resellers, and antique dealers—where mislabeling becomes opportunity.

“The market rewards the collector who can recognize completeness in three photos. Boxes, inserts, and original paperwork aren’t ‘nice to have’—they’re the difference between a prop and a collectible.” – Dr. Elena Hart, Collections Manager, The American Museum of Conjuring Arts (AMCA)

What Most Get Wrong About How To Start A Magic Trick Collection

The common advice says to buy what looks fun and “upgrade later.” That advice quietly burns budgets. When I first learned how to start a magic trick collection, the biggest mistake was treating every purchase as practice material—then waking up with a drawer of plastic and no coherent theme, no resale leverage, and no documentation. The props weren’t bad; the acquisition logic was.

The Rule That Changed Everything: Collect Routines, Not Objects

My fastest gains came from tying each purchase to a routined effect and a venue. If a prop didn’t fit a 7–9 minute close-up set, a 12-minute parlor set, or a specific client scenario, it became a “museum lane” item with stricter standards: signed, limited, documented, or historically meaningful. That separation made buying easier and selling painless.

Oddly, this also improved practice. When the collection is routine-first, the catalog becomes a rehearsal tool: “What can open after a coin sequence and reset in under 18 seconds?” That query doesn’t care about what looks cool on Instagram. It cares about show conditions, lighting, and angles—the real reasons collections become valuable to working magicians.

The Unpopular Move: Paying More For Boring Documentation

The turning point was choosing listings with paperwork over listings with charm. A trick with original instructions, a dealer receipt, and a known production run will outperform a “same trick” without context. Even when the prop is identical, documentation changes trust. Trust changes resale. Resale changes how aggressively a collection can grow.

It felt ridiculous at first—spending extra for a clean insert sheet. Then it paid back repeatedly. When collectors trade, they trade confidence. Documentation is confidence, laminated.

How I Learned To Say “No” Without FOMO

FOMO is expensive in magic because novelty is engineered. New releases land weekly; limited drops sell out; secret groups amplify scarcity. The exit is a “no list” that’s as specific as the buy box: avoid uncredited knockoffs, avoid props requiring proprietary refills without a supply chain, avoid gimmicks with fragile adhesives unless a replacement plan exists, avoid items that can’t be insured because they can’t be described or valued.

Once “no” became a default, the collection started to look inevitable—like it had a thesis. That’s when other collectors began offering trades instead of just competing on auctions.

How To Start A Magic Trick Collection With A Curator’s Blueprint

This section turns how to start a magic trick collection into a blueprint that can survive hype cycles. The core is a curatorial scope, a classification system aligned to performance needs, and a repeatable intake process. A coherent blueprint makes the collection searchable, tradable, and insurable—three traits that separate “a pile of props” from a collection.

Define Scope Like A Museum: Era, Region, Method Family

Scope is not a vibe. It’s a boundary. Decide whether the collection is centered on, say, post-war American close-up, Japanese engineered props (Tenyo, TCC Japan collaborations), classic apparatus miniatures, mentalism tools, or printed matter (lecture notes, manuscripts, magazines). The tighter the scope, the faster the “gem detection” becomes, because pattern recognition kicks in.

A practical framework uses three axes: era (e.g., 1972–1999), region (Japan/US/Europe), and method family (threads, magnets, shells, gaffs, forcing, optics). A scope statement could read: “Boxed Japanese close-up apparatus, 1978–2005, engineered gimmicks with printed instructions.” That one sentence eliminates 80% of the market—and makes the remaining 20% easier to master.

Build A Taxonomy That Mirrors Real Working Conditions

Collectors often categorize by prop type (cards, coins, ropes). That’s fine, but working magicians move by constraints: reset time, pocket space, angle sensitivity, and venue. A taxonomy that includes those fields becomes operational. It answers questions like: “What can be performed surrounded?” or “What plays for 80 people with no microphone?”

Use tags such as: “Reset <30s,” “One-pocket,” “No table,” “Low light friendly,” “Outdoor risk,” “Gimmick exposed on drop,” “Refillable,” “Borrowed object compatible.” This turns the collection into a performance database, not just a display list. It also supports insurance inventories and estate planning—unromantic topics that matter the moment a collection becomes valuable.

Step-by-Step Implementation: A Fast Intake Workflow

When the topic is how to start a magic trick collection, process matters because it prevents the two silent killers: missing parts and forgotten provenance. The workflow below is intentionally technical. It mirrors how archival collections handle intake so items don’t lose context the moment they enter the building.

Step 1: Create A “Holding Area” And Quarantine New Arrivals

Set up a small holding area—one shelf or one bin—where every new prop sits for 48 hours before it joins the main storage. This is where completeness is checked and condition is assessed. It also helps catch odor, smoke exposure, mold risk, and adhesive breakdown before those problems spread to paper instructions or cardboard boxes.

Photograph the item immediately: front/back, any serial markings, and all inserts laid out. Those photos become proof for insurance and a reference for future resales. The speed trick is consistency: same background, same lighting, same angles every time.

Step 2: Assign A Unique ID And Record Provenance Immediately

Give each item a unique ID (e.g., “MT-2026-0413”) and label the storage bag or box—not the prop surface. Record where it came from, the seller identity/handle, purchase date, price, and what was promised (“complete with instructions, spare thread, original box”). Provenance that lives only in email eventually disappears.

For higher-value items, capture screenshots of the listing and messages. It’s not paranoia; it’s chain-of-custody. When a dispute happens years later, documentation is leverage.

Step 3: Grade Condition And Completeness Using A Standard Rubric

Use the same grading language every time. “Mint” should mean something measurable: no visible wear under bright light at 30–45 cm, no crushed box corners, no yellowing paper. Note material-specific risks: cracking ABS, tarnish on brass, warped acrylic, magnet corrosion, thread age, or tape residue.

Completeness is binary in the catalog: complete / incomplete / unknown. “Unknown” is allowed only if the original contents list cannot be found. Over time, the unknowns become a research queue—one of the best ways to learn the history of your lane.

Step 4: Store By Material, Not By Theme

Theme storage looks great until it ruins paper and paint. Store paper instructions and boxes in acid-free sleeves or archival boxes. Keep metal away from humidity. Separate rubber and adhesive-heavy items that off-gas. If the collection includes older plastic, treat it like a chemical object; some vintage plastics become brittle and can leach onto paper.

One practical approach: store props in polypropylene bags with silica packets, paper ephemera in acid-free folders, and keep them in labeled bins by size. The catalog (not the shelf) holds the thematic organization.

Sourcing Like A Pro: Where The Real Props Live

“Where do you buy?” is the wrong question; “where do you buy for your lane?” is the profitable one. Different channels reward different knowledge: estate auctions reward identification skill, specialist dealers reward relationships, and peer-to-peer forums reward reputation. A sourcing plan should match the type of items being hunted and the tolerance for risk.

Specialist Dealers Vs. General Marketplaces (And Why Both Matter)

Specialist dealers like Tannen’s Magic, Penguin Magic, Vanishing Inc., Stevens Magic Emporium, and Magic Inc. excel at reliability: clear descriptions, replacement parts, and predictable fulfillment. For starting a focused collection—especially for worker props—this matters more than chasing the lowest price. It also creates a clean documentation trail for warranties and provenance.

General marketplaces (eBay, Mercari, ShopGoodwill, Etsy) produce the anomalies: miscategorized lots, estate clears, and older items sold by non-magicians. That’s where “gems fast” actually happens. The tradeoff is verification overhead—more time spent confirming completeness, spotting knockoffs, and checking whether an item is even the version the seller thinks it is.

Auction Strategy: Lots, Sniping, And The “Parts Value” Calculation

Estate lots are a distinctive ecosystem. Bundles often contain a mix of low-value props and one rare piece that pays for everything. The math is a parts-value calculation: estimate resale of the likely-liquidity items, subtract shipping and time cost, and cap bids accordingly. Collectors who win consistently do this before the auction, not during it.

Sniping tools exist, but discipline beats tooling. A clean technique is to set a maximum bid that includes worst-case shipping and a 12–18% “unknown tax” for missing parts and damage. If the bid loses, the system worked. If it wins, the collection grows without the hangover of regret.

Banner for Rare & Vintage Magic Tricks: hand with cards on the left, glowing title in the center, green &apos;SHOW ME!&apos; button, and a purple bunny on the right.

International Sourcing: Japan As A Case Study

Japan remains unusually important for engineered close-up props because of manufacturing culture and collector demand. Platforms like Yahoo! Auctions Japan can surface older Tenyo pieces, creator collaborations, and niche releases that never circulated widely elsewhere. Proxy services (Buyee, ZenMarket) solve logistics but add fees and returns complexity.

Language matters. Many listings won’t include “magic trick” in English. Add Japanese keywords and product codes to saved searches. Also track packaging variants; a small change in box art can mark a different production run. This is where a scope statement pays off—without it, Japan becomes an infinite scroll of temptation.

Networking And Private Trades: The Quiet Market

The most interesting props often move without public listings. Private trades happen in IBM Ring meetups, SAM assemblies, convention hallways (Blackpool, FISM cycles, Magic Live), and vetted online groups. The currency here is reputation and specificity: clear wants, fast payment, and fair dealing.

Keep trade notes. If someone reliably sources German-made apparatus miniatures, remember it. If another collector specializes in out-of-print mentalism manuscripts, that’s a relationship worth protecting. A collection scales faster when acquisition becomes cooperative rather than purely competitive.

Authentication, Condition, And Ethics: The Stuff That Protects Value

Authentication and ethics aren’t “nice to have” in magic—they’re structural. The market is full of uncredited copies, incomplete props, and items with unclear origin. A collection that can be authenticated is easier to insure, easier to sell, and safer to perform with. It also signals respect for creators, which matters in a small industry with a long memory.

Spotting Knockoffs: Packaging Tells On People

Many knockoffs don’t fail because the gimmick is wrong; they fail because the packaging and paperwork are wrong. Look for inconsistent typography, low-resolution printing, missing manufacturer marks, and instruction sheets that read like paraphrased scans. In higher-end apparatus, examine machining quality, weld consistency, and hardware sourcing—cheap fasteners and sloppy seams tend to cluster.

When a listing is ambiguous, request photos of inserts, instruction pages, and any maker marks. For modern releases, compare against official product photos from reputable dealers. For older items, cross-check collector databases and forum archives. Authentication is often about triangulation, not a single “tell.”

Condition Grading That Actually Matches Magic Props

Magic props age in strange ways. A box can be pristine while the gimmick inside has been re-glued five times. A brass item can polish up nicely while hiding micro-pitting. Thread-based gimmicks can look unused but be degraded. That’s why a condition rubric needs prop-specific fields: adhesive integrity, magnet strength, thread elasticity, moving-part friction, and instruction legibility.

Photograph functional details: hinges, magnets, sliding channels, and any critical surfaces. If the collection includes electronic mentalism tools, record battery compartment condition and any corrosion. Keep spare consumables (thread, wax, IT reels, refills) tagged to the item ID so “complete” stays true over time.

Ethics And Creator Rights: The Collector’s Reputation Is An Asset

Buying obvious knockoffs doesn’t just harm creators; it harms the collection’s credibility. Many collectors refuse trades involving uncredited copies. Dealers avoid them. Some conventions and clubs actively discourage them. In practical terms, unethical acquisitions become illiquid inventory—hard to sell openly, hard to insure, and risky to perform in professional circles.

Ethics also includes respecting exposure boundaries. A collection catalog can be detailed without being instructional in a way that compromises methods. Keep sensitive descriptions private. Use neutral metadata (“gaffed card,” “magnet-based coin apparatus”) for public-facing inventories.

“Collectors underestimate how quickly provenance becomes the product. In 18 months, a prop is either documented or it’s a mystery—and mysteries don’t appraise well.” – Marcus Ellery, Director, Ellery & Co. Fine Collectibles

2026 Data Reality Check: Documented Assets Hold Up Better

When people ask for hard numbers, the challenge is that magic collecting is fragmented—more like comic books pre-CGC than like stocks. Still, documentation trends show up clearly in broader collectibles where appraisal and grading exist. In 2026, Sotheby’s reported continued strength in “single-owner collections” and provenance-driven lots across categories, reflecting a market preference for traceable histories rather than anonymous objects. See Sotheby’s newsroom updates here: https://www.sothebys.com/en/about/news.

For a parallel signal in adjacent categories, eBay’s 2026 collectible market commentary emphasized authenticated programs and trust signals as drivers of buyer confidence. That’s not magic-specific, but it maps cleanly: a prop with paperwork and clear origin behaves like an authenticated collectible. Reference: https://www.ebayinc.com/news/.

Cataloging, Insurance, And Storage: Running It Like An Archive

Collections accelerate when they become searchable, insurable, and stable under real-world conditions. Cataloging makes the collection usable; insurance makes it survivable; storage keeps value from evaporating quietly. The goal isn’t to turn magic into bureaucracy—it’s to keep rare items from becoming anonymous clutter with a replacement cost nobody can prove.

Catalog Fields That Matter (And The Ones That Waste Time)

A strong catalog is not a spreadsheet of vibes. It’s a set of fields that answer: what is it, what’s inside, what’s it worth, and can it be performed. Minimum viable fields: unique ID, item name, creator/manufacturer, year (or estimated range), method family tag, condition grade, completeness status, purchase source, price, current value estimate, storage location, and performance notes.

Add a “documentation score” (0–5) that reflects how much paperwork/provenance exists: original instructions, box, receipt, certificate, signature, photos of maker marks. This single field becomes a decision tool later: items with a low score might be fine as workers, but weak as collectibles.

Tools: Airtable, Notion, And Image Standards

Airtable works well because it handles attachments, relational tables (items linked to creators linked to events), and filtered views (“show only complete Tenyo items with boxes”). Notion is flexible for narrative notes and routine write-ups. Some collectors prefer a local database for privacy; that’s fine as long as backups are automatic and encrypted.

Standardize images: at least 6 photos per item (front/back/side, box, inserts, close-up of critical gimmick area, and a “scale shot” next to a ruler). Name files with the unique ID. This seems tedious until an insurance adjuster—or a buyer—asks for proof of condition from two years ago.

Insurance And Appraisal: Treat It Like A Small Business Asset

Insurance is where “collection” becomes a real noun. Many homeowner policies have limits for collectibles and may not cover professional use. Specialized collectibles coverage and inland marine riders are common solutions, but requirements vary. Documented inventories, photos, and receipts reduce friction and support claims.

For high-value items, obtain written appraisals from recognized dealers or appraisers familiar with magic apparatus and printed matter. Appraisals should reference comparable sales where possible and note rarity, condition, and completeness. Keep appraisal PDFs linked to the item record in the catalog.

Environmental Controls: Paper, Metal, Plastic Each Want Different Care

Paper is the first casualty in most magic collections—especially instruction sheets and boxes. Use acid-free sleeves, avoid basements, and keep away from direct sunlight. Desiccant packs help, but only when monitored; saturated silica becomes dead weight. A hygrometer in the storage area is a small investment with disproportionate payoff.

Metal benefits from stable humidity and minimal handling with bare hands, especially for polished brass. Plastic is tricky: some older plastics off-gas and can haze nearby items. Store suspect plastics separately, and avoid airtight containers for items that need to breathe. When storage is handled by material rather than theme, the collection stays intact longer—and remains “performable,” not just “ownable.”

Frequently Asked Questions About how to start a magic trick collection

When learning how to start a magic trick collection, what’s the fastest way to avoid buying incomplete props from estate lots?

Create a completeness checklist per category (coins, packet tricks, Tenyo, apparatus) and require photo evidence of inserts, instructions, and spare parts. For lots, assume a 12–18% “unknown tax” and only bid when at least one item is identifiable as high-liquidity. Screenshot listings to preserve promised contents for disputes.

How should a collector price “B-condition but complete” Tenyo items when the box is worn?

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Separate the valuation into (1) gimmick condition/function and (2) packaging/inserts. Many buyers will accept box wear if inserts are present and the gimmick is clean. Track comparable sales by exact model code and packaging variant; then apply a consistent discount factor for box damage while keeping completeness premium intact.

What documentation is strongest for proving authenticity on limited-run magic props?

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Best signals: certificate of authenticity, maker-signed items, dealer receipt from a recognized shop, original instruction sheet with matching branding, and clear photos of maker marks or serial numbers. Keep screenshots of the original listing and communications. Provenance that links seller → dealer → creator is stronger than “looks right.”

How to start a magic trick collection if the goal is performance-first, not display?

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Build a “worker lane” taxonomy: reset time, pocket footprint, angle sensitivity, and lighting tolerance. Purchase only items that fill a defined routine slot (opener, middle, closer, transition). Store consumables (thread, wax, refills) with the item ID. This prevents a shelf of clever gadgets that never enter a set list.

How to start a magic trick collection while avoiding unethical knockoffs that later become unsellable?

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Buy from recognized dealers or sellers with verifiable provenance, and cross-check packaging/instructions against official listings. Avoid items marketed with vague claims (“same as the original”) and poor print quality. Keep a “no list” that blocks uncredited versions and exposure-heavy items; illiquid inventory is expensive inventory.

What’s the best catalog structure for magic props: by creator, by prop type, or by routine?

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Use relational structure: the item record links to creators, routines, and storage locations. Prop-type tags help browsing; routine links make the collection performable. Minimum fields: ID, condition, completeness, provenance, and photos. Airtable works well for attachments and filtered views; Notion excels for script and rehearsal notes.

How do serious collectors handle digital instructions, downloads, and license keys?

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Store a proof-of-license record: purchase receipt, creator terms, and download access method. Keep files in encrypted storage with redundancy (local + cloud backup), and link the file location in the catalog. If transfer is restricted, mark the item as “non-transferable” so future resale decisions don’t rely on assumptions.

What’s a practical way to estimate value for insurance without overpaying for appraisals?

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Use a tiered approach: self-inventory for low-to-mid value items with recent comparable sales screenshots; professional appraisals for high-value apparatus, rare books, and signed pieces. Update valuations annually for the top 10–20% most valuable items. Photos and provenance records reduce claim friction more than perfect price precision.

How to start a magic trick collection that’s actually tradable at conventions and in private groups?

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Prioritize completeness, clear provenance, and standardized condition grading. Keep boxes/inserts, document maker marks, and store items cleanly so they present well. Maintain a focused want list (by creator, era, and method family). Traders respond to specificity and trust; a well-cataloged, lane-based collection signals both.

Conclusion

how to start a magic trick collection isn’t a shopping spree—it’s a curatorial system that keeps performance, heritage, and liquidity from blurring into expensive clutter. Define scope, run a tight buy box, document provenance at intake, and store by material with a catalog built for search and insurance. Do that, and how to start a magic trick collection becomes a compounding asset: better shows, smarter trades, and fewer regret purchases.

The Counterintuitive Truth: Scarcity Is Often Manufactured

The loudest “limited drop” isn’t always the rarest object; it’s often the best-marketed. Real scarcity shows up in documentation, production variants, and intact boxes that survived decades—not in urgency timers. A collector who ignores hype and hunts provenance will outpace the buyer who chases every new release.

A Real-World Example: Tenyo Variants And The Power Of Completeness

Collectors who target specific Tenyo model codes and packaging variants routinely pay less per “A-complete” acquisition by buying mislabeled lots, then trading duplicates within vetted communities. The advantage comes from recognizing inserts, spotting box-era differences, and having a catalog that proves completeness instantly when a trade offer appears.

The Rule That Keeps Collections Valuable

If an item can’t be described, verified, and located in under 90 seconds, it isn’t part of a collection yet—it’s just owned. Document it, grade it, file it, and only then let it count.

Acquire the latest magic! Curated trending magic apparatus ready for your performance or collector shelf.

Steven Warburton
Steven Warburton

Magic Collector, Magician, Escape Artist, Archivist. As a former practicing magician and escape artist, Steven Warburton has spent more than four decades as a dedicated magic collector.

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